Opening Thursday, April 28, 6 - 8p
Curtain Calls
Texas Gallery, 2012 Peden Street, Houston, TX
Joe Goode @ Texas Gallery
in News
Joe Goode - KPCC
in Goode
Joe Goode is 79 and still painting vigorously in his studio near the Santa Monica Airport, but back in the early 1960s, he was sitting in a car in Oklahoma City with an old high school buddy. Artist Jerry McMillan was trying to convince him to join him in California.
Read MoreLita Albuquerque - Los Angeles Times
in Alburquerque, LA Times
Lita Albuquerque would like to map the sky. She'd like to stitch together the stars and the sand, sending a blanket of fluid, brightly colored dancers across the open, dusty desert floor.
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Heidi Hahn - Art in America
in Hahn
The women who inhabit the nine vibrant, introspective paintings (all 2015 or 2016) in Heidi Hahn’s exhibition “Bent Idle” embody an array of emotions, their demeanors both infectious and startling. In I Had a Dream of Being Seen and It Looked Like You, an exuberant figure raises her arms in the air. To her right, another woman, with a look of cautious artistic pride, holds up a small painted portrait of her companion—a blobby rendering.
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Dean Levin - Modern Painters
Rosa Loy @ Galerie Kleindienst
Herzliche Einladung zu meiner Ausstellung
MAIFEIER
am 30.4.2016 und 1.Mai 2016
in Leipzig, Galerie Kleindienst
Lita Albuquerque - Cultured Magazine
in Cultured
Between Heaven and Earth
In Lita Albuquerque's cosmic artwork, the stars align.
By Janelle Zara
Lita Albuquerque @ USC Fisher Museum of Art
in Alburquerque, News
Lita Albquerque’s current exhibition 20/20: Accelerando at USC Fisher Museum will be closing on April 10th.
Lita Albuquerque's 20/20: Accelerando is a haunting 3-gallery (26-minute) film installation with its original music score by artist and composer Robbie C. Williamson.
Heidi Hahn - The New York Times
in Hahn
The clock reads 12:30 in “Everything Left Is Plain” (2016), a pink-red painting in Heidi Hahn’s first New York solo show, “Bent Idle,” at Jack Hanley.
Read MoreLita Albuquerque - Wallpaper
in Alburquerque, News.., Wallpaper
Lita Albuquerque’s career stretches back to the 1960s, when she developed her praxis as part of California’s Light and Space movement. She has always had a propensity toward remote, desolate environments; over the four decades she has been creating, she has installed works at epic locations, including the Antarctic, Death Valley and the Mojave desert, and at the Pyramids at Giza, often completed in collaboration with architects.
Read MoreLita Albuquerque - SF Weekly
The earth’s polar regions are the site of some of the greatest moral, political, and economic conflicts of our time. Though the scale of human activity in these areas is not enormous, the impact of scandalously shortsighted growth is realized most destructively in these remote places. Images of these areas have become increasingly common as they melt away, causing damage across the globe.
Read MoreLita Albuquerque - Huffington Post
Susan Sontag argues that "whatever goal is set for art, eventually proves restrictive, matched against the widest goals of consciousness." While Sontag famously defined art as a "form of consciousness," she also insists that "outgrown maps of consciousness are redrawn."
Read MoreLita Albuquerque - KCRW
in Alburquerque, News., KCRW
Today, I want to talk about a few artists whose art made me stare, think, and wonder. I'm talking about artists whom I got the chance to meet in the last couple of weeks and ask some questions. And all of them are smart, eloquent, and courageous women. That's why I prefer to think about them as "Ladies Who Dare."
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Heidi Hahn - BLOUIN ARTINFO
in Hahn
Are you stuck in the Waiting Place but are not quite sure Flip the gender on Keith Gessen’s 2008 book, “All The Sad Young Literary Men,” and you’d end up with a suitable alt-title for the terrific group of paintings in this young artist’s first solo with the gallery.
Read MoreJoe Goode @ Norton Simon Museum
in Goode
The Norton Simon Museum presents Duchamp to Pop, an exhibition that examines Marcel Duchamp’s potent influence on Pop Art and its leading artists, among them Andy Warhol, Jim Dine and Ed Ruscha.
Read MoreLita Albuquerque @ USC Fisher Museum of Art
in Alburquerque, News
February 12, 12:00 - 1:00 pm
Join Lita Albuquerque for an informal talk and walkthrough of 20/20: Accelerando
Read MoreLita Albuquerque - Art Scene
The works in Lita Albuquerque’s exhibition “Embodiment” continues her investigation of space, depth and perception. These new wall pieces are large-scale sculpture/paintings in which lush earth-toned raw pigments are juxtaposed with concave disks covered in gold or silver leaf.
Read MoreRosa Loy - Artsy.net
There’s something you can’t quite put your finger on in German artistRosa Loy’s large format compositions of enigmatic female subjects. Like most artists associated with the New Leipzig School—including her husband Neo Rauch—Loy produces figurative works executed with an acute emphasis on technique. Her dedication to highly technical figuration aside, Loy’s works are nothing short of mystifying.
Read MoreDean Levin - Autre
Dean Levin's Frist Solo Show "XTC" in Los Angeles @ Kohn Gallery
photograph by Oliver Maxwell Kupper
Dean Levin’s solo exhibition XTC at Kohn Gallery, the artist’s first in Los Angeles, presents a refined iteration of Levin’s ongoing investigation into space, perception, and architecture. At once conceptually utilizing and physically inhabiting the gallery space, the works on view offer discrete moments of architectural deconstruction and reconfiguration, prompting the viewer to objectively consider the space itself, while maintaining a subjective engagement with the resultant products of Levin’s investigatory gesture. Made up of three separate sculptural “vignettes” demarcated by discrete swaths of carpet on the gallery floor, the exhibition can be viewed as an experiential installation whose totality is more than the sum of its various formal parts.
Lita Albuquerque - Flaunt
in Alburquerque, News.., Flaunt
“There was a point in my career in the fall of 1977 when I decided to give up painting as I had known it in order to go back to the history of painting, to its very beginning where the first artists were using the earth to draw upon its surface, as a need to understand it historically.”
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