For DesertX, Lita Albuquerque chose to work at The Annenberg Retreat at Sunnylands Center & Gardens because of its history as a gathering place. An oasis within the desert, Sunnylands perhaps is best known as the Camp David of the West, frequently hosting Presidential vacations, retreats and summits
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Part Kubrickian, part Wilsonian (as in Robert), with a nod to Isadora Duncan, Lita Albuquerque’s “hEARTH,” a performance installation created with her daughter Jasmine Albuquerque and composer Kristen Toedtman, on view at Sunnylands Center and Gardens (the former Annenberg Estate in Rancho Mirage), served as a kind of prequel to outdoor exhibition Desert X 2017.
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I’ve often wondered why writing about art must be so complex, so ponderous, so filled with grandiose vocabulary and overly-intellectual concepts. Not so with Michael Kohn Gallery’s catalog, “Joe Goode: Paintings, 1960-2016.”
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Artist Lita Albuquerque once told an interviewer her approach to art “begins with nature and who we are in relationship to it. I am continually asking questions about who we are in relationship to the environment around us and to the planet itself.”
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Coinciding with the artist’s 80th birthday, Los Angeles’s Kohn Gallery will present a survey exhibition of the Los Angeles artist Joe Goode, a veteran of the Californian light and space and conceptual art movements.
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At one point in the bright, mantric hour-long performance ritual which christened Lita Albuquerque’s current sculptural installation hEARTH at the Sunnylands Center & Gardens in Rancho Mirage, a throaty clarion chant rang out across the great lawn, staccato: Got to, got to, got to, got to listen to the silence. Why did you come here? Why do you listen? What does it say to you? In many ways, these are the foundational questions and the essential directive of the entire Desert X affair.
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Reality and fantasy don’t collide in Mark Ryden’s art so much as they are equal halves of a more natural and dreamlike world.
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Mark Ryden is on something of a sugar high. Backstage at Costa Mesa’s Segerstrom Center for the Arts, the painter giddily navigates a luscious candyland of his own creation — something he’s now seeing fully realized, onstage, for the first time.
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A Viennese pastry shop, dancing sweets, a little boy who overindulges and a revolution by the lower pastry orders. An almost unknown Richard Strauss score. Décor and costumes by the pop-surrealist artist Mark Ryden. And a great title: “‘Whipped Cream’! It’s really wonderful,” Alexei Ratmansky said of his full-length work for American Ballet Theater after a long day of rehearsal last week.
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Everything had to be reinvented for the 2017 Whitney Biennial — the first to take place in the new riverside home of the Whitney Museum. But then, this leading showcase of contemporary American art feels refreshed in other ways, too.
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PALM SPRINGS, Calif. — Roaming off-road through sandy, rock-studded terrain in view of mountain peaks and windmill farms, a six-wheeled rover about the size of a milk crate backed up and sped away from its creator.
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After 33 years at LA Louver, seminal pop artist Tony Berlant has moved across Los Angeles to Kohn Gallery, in a change that reinforces the gallery’s strategy of supporting artists who helped shape the Californian and West Coast aesthetic.
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This piece brings us closer to the work of the American artist Bruce Conner, currently considered one of the most important artists of the American underground scene of the second half of the 20th century. The exhibition, which can be seen in the Reina Sofía Museum from February 21 to May 22, brings together about 250 works made in different media: film and video, painting, assemblage, drawing, engraving, collage,
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With her gaze turned skyward, Light and Space artist Lita Albuquerque draws inspiration from the cosmos.
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So much art wants to move you. Lita Albuquerque’s art, on the other hand, wants to ground you, align you to the cosmos, and connect you to a world bigger and deeper than the one you know.
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The Prix Pictet aims to harness the power of photography – all genres of photography – to draw global attention to issues of sustainability, especially those concerning the environment.
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The desert has long exercised its fascination over the minds of artists, architects, musicians, writers, and other explorers of landscape and soul. From the theological cast of the Biblical desert wilderness to the secular observations of Joan Didions Holy Water, it is a place of scarcity, of stark contrasts, crude survival, mystery and transformation.
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"BRUCE CONNER: IT'S ALL TRUE" (Museum of Modern Art, New York) MOMA delivered for Conner with this staggering retrospective that underscored the reciprocity between his moving-image and static work by giving seven films optimun projection within the 250-piece exhibition.
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Bruce Conner (1933, McPherson, Kansas - 2008, San Francisco) is one of the most pre-eminent American artists from the second half of the twentieth century. This exhibition, the first to present his work in Spain, brings together more than 250 works which span his fifty-year career.
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Mark Ryden will have a major restrospective of his work exhibited in Málaga, Spain at the Centro de Arte Contemporáneo de Málaga.
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